It is easily observable that screens exist everywhere and at anytime. This thesis argues that screens, especially screens connected with computational devices, are relational, operational, material, and technological objects, which are neither neutral displaying machines nor standalone inputting plates
“This is the affection-image: it has as its limits the simple affect of fear and the effacement of faces in nothingness. But as its substance it has the compound affect of desire and of astonishment – which gives it life – and the turning aside of faces in the open, in the flesh.” (Deleuze, Gilles.…
“The word processor is the calculator of the humanist. Wherever knowledge must be accessed, selected, stored, and modified, the practice of writing on a computer is becoming the standard operation for information workers; word processing is no longer restricted to the narrow domain of office automation.” Michael Heim, Electric Language : A Philosophical Study of…
“Do you have some feedback to share?” may be one of the most heard sentences when I was doing my previous job, which, from my perspective, is a process of encouraging team communications, building disciplinary surveillance, and reflecting on ourselves. This essay considers feedback as self-reflecting, self-referencing, self-creating and self-connecting through discussions about Norbert Wiener…
This project investigates the pollution of the Tidal Thames throughout the perspective of pervasive and invisible bacteria. Also, it brings about the Petri Dishes as a kind of technical object and lens for observation.
镜子背后的恐惧 镜子作为一种复制与世界的增殖 镜子与无限之中具备着一种关系，忠实的复制。 镜子在永远地等待、窥视与凝视 镜子是另一种现实 镜子不再是幻觉和仿像，镜子纠缠着我们； 镜子是一种颠倒，镜中/梦中那个我们以为是映像、幻影的才是现实； 镜子作为对“现实权”的争夺； 镜子中那个被打败的、被判定为映像的他者，终将复现。 镜子的内外对峙着，镜内的虚伪呈现为一个世界，躲藏着一个无限透明，因而被我们看不见的实在世界（自在之物）。 这甚至时刻准备着成为表象背后的更真实的世界（the real）。
图像时代：一种被动的认识论 图像，这一能指的所指，从过去到现在就一直是杂多的。从平面的架上绘画及其中的符号，到发光屏幕上时刻变换的生动影像，甚至是日常生活中随处可见的占据我们目光的各式广告和其他等等，都可以被称之为“图像”。不过毫无疑问的是，后两种图像才是我们当今时代的图像主流。问题在于，我们当今这些主流的图像，呈现出一种怎样的面貌？它们是如何建构它们自身并影响我们的认识的？